Showing posts with label new. Show all posts
Showing posts with label new. Show all posts

Monday, May 24, 2010

The #1 show you haven't heard of(yet) - Front Page

I'll be short and sweet...this is the treatment of a television drama for which I already have the show bible and the pilot script for. The one thing that I'm working to get for it is the production company.

Front Page

A television treatment by Garrett Rogers

WGA registration #1418846


Downtown at The Chicago Post news building, the word of the day is pressure. There is the owner of the Post, Stephen A. Garrison, a wealthy billionaire who sometimes feels the pressure of trying to keep a newspaper solvent let alone lucrative in an internet based world. His editor-in-chief, Barbara Jacobs, is a stern, headstrong woman who feels the pressure from Stephen to make the paper successful and the pressure to maintain leadership over her staff without establishing a tyrannical approach, all the while feeling the self-inflicted pressure to accomplish her own personal goals.

Every person inside The Chicago Post building contributes to the success or failure of the newspaper and to that end, everyone feels the anxiety and pressure of working at a newspaper in their own different way. There’s the accountant, Dac Kien Trần, a man who prides himself on his impeccable knowledge of the financial sector all the while thinking himself faultless. Tara Fedorov, is the director of human resources and the first and usually last face that a potential Post employee sees. She is notorious for her abrasive demeanor and harsh mouth that many feel only masks past pain. Fernando Guzmán is a sports reporter and a sloven, tactless male chauvinist who isn’t really a sports fan and lacks the passion of one, but has a limitless knowledge of sports facts and is one of the Post’s best writers.

Craig Jennings is a clean cut and passionate man who seems too good to be true and is applying for a sports reporter position on the pilot of the show. The editorial writer, Anthony Pleasant, is an idealistic, liberal democrat who despises anyone who would claim to be a republican yet struggles not to make the paper his own personal soapbox. Mickey Hughes is a cartoonist for the paper and a man that everyone else would love to have a beer with. The only problem for Mickey is that he has a personal issue which he wrestles to come to terms with and has a hard time making any true social connection because of it.

The news reporters are an intelligent albeit occasionally egocentric lot. Ronald Paulsen has aspirations of being the next Walter Cronkite so he is constantly in search of the next big story which could help him launch his name into super stardom. He often attempts this feat regardless of who his exploits might offend or harm. Kristin Lawrence is a Rutgers educated reporter who is dedicated to the facts yet abhors the fact that she lives in a male driven society and refuses to adhere to any female archetype that men envision for her. While she refuses to be stereotyped, she isn’t above using her feminine wiles to manipulate someone else for her own benefit. Terrence Edwards is an aspiring rock star with a troubled past who sees his job as a reporter as a paying gig until his band's big break while Abd-Al-Malik Kassab is a proud Middle Eastern man who has lived in the U.S. the majority of his life yet is consistently profiled by ignorant and pretentious xenophobes which tends to drive Kassab to occasional fits of anger or depression.

Emmett Schroeder is an old and haggard photographer who is distrusting towards strangers and all managerial personnel, and harbors numerous conspiracy theories. Madeline Barbosa is the perfect antithesis to Emerson because she is a young woman who believes in the inherent good of men and sees her position as a starting point to do great things. The janitor of The Chicago Post is Solomon Morgan, and Solomon is the man that knows a little bit about everyone who works at the Post since from his position, he is usually in the background of every conversation and any dealing that happens in the building. He is a proud man who enjoys his work and not only demands respect but gives it to those who he feels deserves it. Yazmin Ramirez is the resident advice columnist and Post sex kitten who shares her intuitive advice with everyone while her sexual innuendo keeps every man interested.

Pierre Fournier is the newspaper’s food critic and a pompous, pretentious connoisseur of extravagant food and fine wine who not only expects everyone to hang onto his every word, but keeps every restaurant he visits on “pins and needles” anytime he visits. Matt Thompson is the tech writer who is not only obsessed with science fiction and anything modern, but maintains a quiet humility even though he is the smartest person at the Post. Thompson spends most of his time online, reading a magazine, or daydreaming about future possibilities.

The possibility for drama, tension, passion, and humor at the newspaper is limitless due to the number of possible interactions while involved in a strenuous work environment. Television dramas thrive on the personal connections that are made and destroyed based on unfolding events, and at the newspaper, the events are twofold based on what everyone is going through and the current events that are taking place which can turn the newspaper on its ear at a moment’s notice. With this in mind, the show can be driven not only by the creative element of the writers involved, but by current events ripped from the news as well.

Every day, news happens and every day, our lives are somehow changed because of the events that unfold around us. Whether it is in the political or financial sector, whether it concerns religious beliefs, or even if it pertains to the criminal element, the public is affected. Because of these numerous events, we rely on news reporters, gossip columnists, and people paid to give their opinions to tell us about these daily happenings. The people at the Chicago Post aren't always involved in what happens in the world, but they are deeply entrenched in the business of relaying to the rest of the world what's happening in their backyard and everyone else's. This isn't the front line, but this is the front page!

The sad state of affairs in Hollywood and how I'm going to change it


I know that with the ending of Lost, Hollywood is desperate to find the show that could possibly be Lost part 2. I have one thing to say about that...

STOP DOING THAT!

Whether you liked it or not, Lost drew in tens of millions of viewers every week just to see some characters trying to deal with being on a deserted island. There will NEVER be another show like that, yet Hollywood producers and mogul types are trying to do that, but it's not going to work.

I used to be embarrassed to say that I am a t.v. addict, but my very existence is to be a writer, and as a writer I love seeing and reading other writer's creations. So as a lifelong t.v. addict I have some room to say what can and can't work right now. Flashforward being canned is proof that a Lost type show won't be well received and with the cancellation of Numbers and Miami Medical, we the people are saying we're tired of seeing 20 new medical and/or police dramas every television season.

Apparently Hollywood isn't getting this message so I'm going to do the one thing I can. I alone(at least for now) am coming for Hollywood and I am armed to the teeth with television treatments, show bibles, and scripts for shows that have never been put on television, but need to be seen. Honestly, I do want to see my name on the screen as executive producer, but more importantly, I want to keep the line of GOOD television going. Shows like Burn Notice, Grey's Anatomy, Fringe, and even Glee won't be around forever so I'm going to put my ideas and my work into enough people's hands until I get to the right hands that will work with me and put these shows on the t.v. So if you're reading this and you know somebody who just happens to work with or know one of these Hollywood types...you let them know that I'm coming for them and this determined man will not be stopped.

Wednesday, January 20, 2010

Recycling is supposed to SAVE the environment


Is it just me or do most of the people in control of the movie and television industry severely lack imagination? I started watching umpteen movie trailers on www.hulu.com and apart from a couple of interesting movies, I saw trailers for the A-Team, Nightmare On Elm St., and The Karate Kid. I will probably watch the A-Team(when it hits dvd) unless a reliable source tells me it's worth the $10 to see it in the theater, but what's the point of seeing a remake when the original is still in your head? I'm happy that Will Smith's son is getting a chance to star in a movie, but I already know that he'll win in the end, and I just might hear, "Sweep the leg." or something to that effect. Freddie never dies, but he doesn't kill everybody either and Hannibal always "loves it when a plan comes together".

The point is that if it's already been done before, it's time for the new thing. I know that most hollywood types want to use the old tried and true method which explains why there's been 15 seasons of Survivor and why so many people feel that at least half the movies that come out need a sequel. Surprise...they don't! I'm glad that there are still movies like The Book of Eli and The Hangover should already be on AMC so with this in mind, can we please not see another Batman or Transporter movie. Hollywood might be scared that an original idea won't work, but the big budget, big name, CG B.S. isn't always pulling in the big bucks either.

I have tons of ideas for original movies and t.v. shows, and half of them aren't so bad either. Here's a freebie that I'd love for someone to use...the title of the movie is Speedy Jenkins. It's the story of a 14 year old boy who is stricken with asthma, but the twist is that he has the speed of a super hero. So while most people would rather "take it easy" and do as little as possible so that they wouldn't make themselves sick, Speedy is more concerned about helping others before he helps himself. He uses his gift to save the innocent from the likes of muggers and other would be crooks, but in the climax of the movie, he has to decide between catching the bad guy and possibly risking his life, winning the affection of his love interest, or shrinking back into his quiet corner to avoid any chance of personal suffering. I give my blessing for anyone to use this because I'm steadily pointing and laughing at anyone who continues to make crappy movies.